[Partitional Analysis Publications]

2022

1. Sampaio, Marcos da Silva; Gentil-Nunes, Pauxy; Oliveira, Vicente Sanches; Oliveira, Sidnei Marques; Oliveira, Jaderson Cardona. 2023. New Visual Tools for Rhythmic Partitioning Analysis of Musical Texture. Musica Theorica, v. 7, n. 2, August-December.
2. Sampaio, Marcos da Silva; Gentil-Nunes, Pauxy. Python Scripts for Rhythmic Partitioning Analysis. MusMat: Brazilian Journal of Music and Mathematics, v. 6, n. 2, December.
3. Pareyon, Gabriel; Almada, Carlos; Mathias, Carlos; Saraiva, Cecilia; Moreira, Daniel; Carvalho, Hugo; Pitombeira, Liduino; Gentil-Nunes, Pauxy; Mesz, Bruno; Amster, Pablo; Riera, Pablo. 2022. Music and Mathematics in Latin America: Major Developments in the Last 25 Years. MusMat: Brazilian Journal of Music and Mathematics, v. 6, n. 1, June.

2021

1. Moreira, Daniel. 2021. Measuring the Amount of Freedom for Compositional Choices in a Textural Perspective. MusMat: Brazilian Journal of Music and Mathematics, v. 5, n. 1, p. 126-156.

2020

1. Feitosa, Marco. 2020. Partitional Harmony: The Partitioning of Pitch Spaces. MusMat: Brazilian Journal of Music and Mathematics, v. 4, n. 1, pp. 1-27.
2. Gentil-Nunes, Pauxy. 2020. Reading Textural Functions, Instrumental Techniques, and Space through Partition Complexes. MusMat: Brazilian Journal of Music and Mathematics, v. 4, n. 2, pp. 80-97.
3. Ramos, Bernardo; Gentil-Nunes, Pauxy. 2020. Parsimonious Relations Between Guitar Textural Proposals. Vórtex Music Journal, v. 8, n. 3. Available in: http://vortex.unespar.edu.br/ramos_gentilenunes_v8_n3.pdf, accessed on 26/12/2020.
4. Ferreira, Esdras Sarmento; Santos, Raphael Sousa; Lima, Flávio Fernandes de; Carvalho, Hugo Tremonte de; Pitombeira, Liduino. 2020. Sistema Composicional Intermarkoviano. Revista Vórtex, v. 8, n. 22.

2018

1. Gentil-Nunes, Pauxy. 2018. Nesting and Intersections between Partitional Complexes. MusMat: Brazilian Journal of Music and Mathematics, Vol. 2, no. 1, pp. 93-108.
2. Guigue, Didier. 2018. The Function of Orchestration in Serial Music: The Case of Webern’s Variations Op. 30 and a Proposal of Theoretical Analysis. MusMat: Brazilian Journal of Music and Mathematics, Vol. 2, no. 1, p. 114-138.
3. Moreira, Daniel. Composing with Textures: A Proposal of the Formalization of Textural Spaces. 2018. MusMat: Brazilian Journal of Music and Mathematics, v. 3, n. 1.
4. Santos, Jorge Luiz de Lima. 2018. A textura musical na delineação formal de Dérives 1 de Pierre Boulez. Revista Música. São Paulo: USP, v. 18, n. 1, p. 102-122.

2016

1. Santos, Jorge Luiz de Lima. 2016. Ciclo Hápticos para Quinteto de Sopros. Partitura e Memorial. Revista Vórtex, Curitiba, v.4, n.1, p.1-53.

2015

1. Santos, Jorge; Almada, Carlos; Gentil-Nunes, Pauxy. 2015. Sistema-Gr e Parsemat no planejamento e criação de Ciclo Hápticos para Quinteto de Sopros . DEBATES | UNIRIO, n. 15, p.82-103.

2006

1. Gentil-Nunes, Pauxy. 2006. Parsemas e o método de Fux. In: Revista Pesquisa e Música, v. 1, pp. 38-47. Rio de Janeiro: Conservatório Brasileiro de Música.